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To Us Who Are Made Up, Part Two


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Translation:Unk


Pure joy is jubilant, yet sad backstory will make its own color murky. However, there will be something fresh if we focus on the "JOY" itself, devoting our emotions digging into it berserk. We remind us subjectively that things always exist before receiving any attention; as the member of the cosmos, you need to comprehend the smallness of yourself.

Nevertheless, we're human beings, observing this whole cosmos with life and perspective of humanity. This is the fun only belongs to us, no matter how speechless the cosmos is. Not long ago I played the game "Journey" by accident, which profoundly helps me to recognize something unsure. This game makes me feel that life is a trip, and homecoming is the final rest. In recent I ultimately realize that, in the short period of time I've experienced, the ones I hardly forget is every kind of leaving. With the fading of something familiar or not behind the curtain of life, I'm following through the dark alley of backstage, filled with tons of trivial remembrances, waking slowly toward the unknown.

In the end, with the things we left, whose legend will become the authorized history or pseudohistory? Everything is the material of life to me though. It is not that easy to block people from collecting, cogitating and creating. Aren't we all enjoying forming the satisfying shape with the materials we have collected everywhere?

Forming a satisfying self, for instance.

In fact, this is quite amazing to see the past self with emotions coming up. Instead of dividing each self from different dimensions, we always have so much time to explain ourselves or the reason of "why now?" Every collected past seems like a pile of limitless documents in the house, and all of a sudden we just realize that every air we breathe in has been examined and prepared. Every moment we live on the immediateness of collected history.

Past has weighted mysteriously before us seeing how far the future goes.


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這個網誌中的熱門文章

談自創曲:來世

放在最後一首製作的反而有點如夢似幻,這是我製作「來世」這首歌曲時的感覺。

一開始只是非常期待這首歌,因為在2010年開始製作歌曲時,當初就訂下「用13首對稱曲名的規則來做出13首歌,之後再集結成一張專輯!」這個給自己的規定。但依我的腳步製作出來的曲子反倒都不是先有曲名,而都是先完成曲子之後才命名的,有點像給自己孩子命名般那樣的慎重。

[舊文備份] 黑白藍的瘋狂鍵盤魔術師:H ZETT M

原文刊於重力曼波同人情報誌,2011年8月14日

一個手彈電子琴,眼影黑不拉基,鼻頭還帶著詭異的藍色。彈起琴來又快又目不暇給,好像有彈錯很多東西又好像沒有?!但聽起來也蠻過癮的!? 就是他啦,日本鍵盤魔術師H ZETT M!


而你不語 無人知曉_全專輯印象文字

01.楚門之外  02.愁物    03.苦物    04.孩子氣   05.多元宇宙論    06.銀河詩篇   07.柴物  08.禮物  09.暖物  10.生命謳歌  11.吉光  12.現實佐掌痕
全專輯試聽:
https://killerblood.bandcamp.com/album/no-one-knows-you-dont-talk

楚門之外 ▒ ░▒▒░░░▒▒ ▒▒░░░▒   ▒ ░ ▓▒░ ▒▓ ▓░░▒░ ░░▒
After The Truman Show .- ..-. - . .-. / - .... . / - .-. ..- -- .- -. / ... .... --- .--
當年的經典電影「楚門的世界(The Truman Show)」在經過多年後的現在,各種彼此觀察與窺伺的工具更加盛行與理所當然了。所謂的隱私正與南極的冰山一樣,以驚人的速度消逝著。在我們毅然決然對觀眾深深一鞠躬,步出安排好的舞台後,到底該與誰為鄰?誰才是你真正的親朋好友與莫逆之交呢?四射的煙火與喧鬧的慶典儘管絢爛,但真的遮掩得住那一小撮針般的焦慮嗎?



愁物 ▒ ░▒ ░   ░▒░░▓ ▒░▒▒░
Something Worried ... --- -- . - .... .. -. --. / .-- --- .-. .-. .. . -..
即使坐上能脫離地球的太空船,纏繞於心裡的鬱悶也不會消失吧。既然如此,心理不快時就透過生理來消解,或許能稍微繞開憂愁的道路,看到別的風景。例如像個舊娃娃般地搖晃四肢、裝出陳舊的樣子、眼淚直白地滴落下來、瘋狂甩著頭、嘟著嘴吐出怨氣等等的。像個嘉年華般的外太空排解怨氣遊行。

...最令人喪氣的應該是早已買好的回程票也說不定...



苦物 ▒ ▒  ▒▓▒░▒▓▒░▓ ▒░▒▒░
Something Bitter ... --- -- . - .... .. -. --. / -... .. - - . .-.
若能先習慣谷底的樣貌
那麼無論到哪都不會過於驚慌喔
好好記住自己掙扎的模樣
無法重來的惡夢不也很珍貴嗎?

寂靜裡的情感波動永遠都能撼動意志
或許如此這般



孩子氣 ▒ ░░▒▓░▒▒░ ░░░▒▓░░  ▒ ░▒▓  ▒ ▓
Childish -.-. .... .. .-.. -.. .. ... ....
鋪滿地板的老照片,襯幾…