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To Us Who Are Made Up

譯:Unk


Speechless always is cosmos.


In every present firm or loose
At countless intersections between dreams and reality
Within the aggregation of consciousness, sweet, bitter, then rotten


People cultivate boisterously
Their words are fewer gradually
In learning docility
They leave when the joy begins


Simultaneously we talk, with voice
Twisting our bodies and showing off our tongues
“Let’s record,” said we
Every moment is history, infinitely
Record until annihilation
Which is, I understand, burning
And the burnt. That kind of
Truth


Describing while described
Front and rear painted with colours
One flock impacts on the same flock
Before the one and only speechless Mother
We’re on the same team
Cosmos is on the same team


After comprehending the impossibility of leaving
I’ve written some letters
To us who are made up
We may burn or preserve them after read
Or authenticate, or refurbish, or hide
An accomplishment anyway


Then speechless continually

As cosmos.

張貼留言

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談自創曲:來世

放在最後一首製作的反而有點如夢似幻,這是我製作「來世」這首歌曲時的感覺。

一開始只是非常期待這首歌,因為在2010年開始製作歌曲時,當初就訂下「用13首對稱曲名的規則來做出13首歌,之後再集結成一張專輯!」這個給自己的規定。但依我的腳步製作出來的曲子反倒都不是先有曲名,而都是先完成曲子之後才命名的,有點像給自己孩子命名般那樣的慎重。

[舊文備份] 黑白藍的瘋狂鍵盤魔術師:H ZETT M

原文刊於重力曼波同人情報誌,2011年8月14日

一個手彈電子琴,眼影黑不拉基,鼻頭還帶著詭異的藍色。彈起琴來又快又目不暇給,好像有彈錯很多東西又好像沒有?!但聽起來也蠻過癮的!? 就是他啦,日本鍵盤魔術師H ZETT M!


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原文刊於重力曼波同人情報誌,2011年11月13日



天氣好不容易放晴了,今天讓我們稍微懷舊一下,聽聽21世紀前的傳奇日本樂團(欸)「口袋餅乾」吧!