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To Us Who Are Made Up, Part One


Illustration:COLN

中文原文:致那些被捏造的我們,其一
譯:Unk


I never try to complicate any stories intentionally. However, some things are not meant to be written but to be experienced by myself.  


Everybody liked to fantasize in childhood, before reaching and comprehending “the reality” in the process of growth. This reality is too neutral to be shaken, no matter how sentimental we are. Knowing the fact that this reality is always changing with something else makes this cosmos much harder to be imagined than we expect. Therefore, via “To Us Who Are Made Up,” I attempt to acquire wilder scope to observe myself and things around me, like the film I admire so much, Interstella, which reminds us that we may not mature yet in the game of cosmos, where we are thoroughly tiny but striving.


Nobody can escape from the cosmos and history.


People may go further by learning to see the whole cosmos as a family, at every passed moment.


I recall one hypothesis in an aged sci-fi manga, which assumes human beings fall into decay. Around the Earth, planets that human are capable to reach, inhabit and colonize are developed already. The so-called concept of “home” has surpassed the existence of the Earth. Intriguingly, human still face the drop of birthrate, the limit of invention and the loss of enthusiasm for travelling in galaxies, no matter how faded the concept of “the Earth equals home” becomes. They abandon those well-developed planets by degrees and head back to the Earth. In the end, there is one old folk who refuses to leave the planet. He just prefers to watch those people go home and stay living alone. Near him, a song from six thousand years ago is playing….


At first I just fancy it, but I never expect this story has grown in me since then.


Like some trivia people could reminisce.


All I can so is to describe this world, I think. And, music happens to be what I am relatively good at.

(To be continued)
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談自創曲:來世

放在最後一首製作的反而有點如夢似幻,這是我製作「來世」這首歌曲時的感覺。

一開始只是非常期待這首歌,因為在2010年開始製作歌曲時,當初就訂下「用13首對稱曲名的規則來做出13首歌,之後再集結成一張專輯!」這個給自己的規定。但依我的腳步製作出來的曲子反倒都不是先有曲名,而都是先完成曲子之後才命名的,有點像給自己孩子命名般那樣的慎重。

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原文刊於重力曼波同人情報誌,2011年8月14日

一個手彈電子琴,眼影黑不拉基,鼻頭還帶著詭異的藍色。彈起琴來又快又目不暇給,好像有彈錯很多東西又好像沒有?!但聽起來也蠻過癮的!? 就是他啦,日本鍵盤魔術師H ZETT M!


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原文刊於重力曼波同人情報誌,2011年11月13日



天氣好不容易放晴了,今天讓我們稍微懷舊一下,聽聽21世紀前的傳奇日本樂團(欸)「口袋餅乾」吧!